BLOGGER TEMPLATES AND TWITTER BACKGROUNDS

Sunday, October 17, 2010

Puretone - Addicted to Bass (2002)


"Addicted to Bass" is a pop single with drum and bass influences by Puretone aka Josh Abrahams featuring Amiel Daemion on vocals. It reached the top 20 of the Australian charts in 1998 and #2 in the UK in 2002.
Abrahams met Amiel in 1997. They collaborated in the writing and recording of his album Sweet Distorted Holiday released in 1998 and the single was credited to Josh Abrahams and Amiel Daemion. The song became a hit when released on Shock Records in 1998 reaching the top 20 of the Australian charts and eventually being certified. The Australian Record Industry Association listed the song as its 100th best selling single for 1998 in its end of year chart. The song was also popular in the Triple J Hottest 100, 1998 being voted at #16 and appearing on the compilation CD.

The song also enjoyed a strong critical response. It was nominated for the Australian Performing Right Association "Song of the Year" in the awards held in May 1999 but lost to "Buses and Trains" by Bachelor Girl.  Abrahams was nominated for five Australian Recording Industry Association Awards in 1999 including "Record of the Year" and "Music Video of the Year" for "Addicted to Bass". While "Addicted to Bass" lost out to "The Day You Come" by Powderfinger in the "Record of the Year", he won in the "Best Independent Release" and "Best Dance Artist Album" categories for Sweet Distorted Holiday.

The song gradually became popular in dance clubs in the UK and received a positive response in the media. UKmix.net wrote This slice of Australian vocal drum & bass has been tearing up dancefloors, radio stations, and particularly music television for some time now. The song was credited to Puretone to avoid confusion with Josh Abraham who has worked with Limp Bizkit and Staind. Eventually, "Addicted to Bass" topped the breaks chart and reached #2 in the UK dance charts in November 2001.
The song was released on the UK pop charts in January 2002. In its first week of release, it debuted at #2 narrowly being beaten by "More than a Woman," a posthumous number 1 for Aaliyah. The song also reached #19 in Ireland in January 2002 as well as a composite European chart.

video link
http://www.youtube.com/watch?v=wmwGGLrDvfE

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